Showing posts with label The importance of horses. Show all posts
Showing posts with label The importance of horses. Show all posts

Sunday, 15 June 2014

Saint George’s Charm Against the Night-mare



George is the patron saint of England and his feast day is still celebrated on April 23 with the displaying of the English flag, which bears George’s red cross.

In medieval tradition, Saint George was the Virgin Mary’s champion knight; England itself was regarded as the Virgin’s dowry.

Saint George’s cult had both elitist and earthy aspects. On the one hand, he was the saint of nobility and monarchs. To join the Guild of Saint George, one had to own a horse, which made it exclusive indeed, because in the medieval and Early Modern period, as now, horses were expensive and only the wealthy could afford them. Poorer folk relied on oxen to pull their carts and ploughs.

On the other hand, the name George means farmer. In his more populist aspect, George was the patron of horses and the low born people who looked after them for their wealthy masters.

The following is a late medieval charm against the night-mare, which was believed to be a hag that entered the stable by night in spirit form and rode the horses until they were exhausted. This superstition was very long lived. Margaret Pearson, arrested in the Pendle Witch Trial of 1612, was accused of bewitching to death a mare in the village of Padiham, Lancashire.


 "Bewitched Groom" by Hans Baldung Grien


A Charm Against the Night-mare

Saint Jorge, our Lady Knight,
He walked day, he walked night,
Till that he founde that foule wight; (foul spirit)
And when that he her founde,
He her bete (beat) and he her bounde,
Till trewly ther her trowth she plight (till she finally made her vow)
That she sholde not come by night
Within seven rod of lande space
Theras Saint Jeorge y-named was.
St. Jeorge, St. Jeorge, St. Jeorge.

This rhyme was written on a piece of paper or parchment, then tied into the horse’s mane. To ensure full power, an amulet or piece of flint with a natural hole was also hung over the stable door. Earliest reference to this charm dates back to 1425-50, but it appeared in a book on witchcraft as late as 1584.

From C. and K. Sisan (eds.), The Oxford Book of Medieval English Verse, Oxford, 1973.

What happened to Margaret Pearson after being convicted of bewitching a horse to death? Unlike the other Pendle Witches who were hanged at Lancaster, she was spared the noose since she had only supposedly killed a horse and not a human. Instead she was pilloried on four consecutive market days in Padiham, Whalley, Clitheroe, and Lancaster, and sentenced to a year in Lancaster prison.





Wednesday, 1 July 2009

The importance of horses

.
.
One of the many things I love about Paulette Jiles's historical novels — Enemy Women and The Color of Lightning are the two I've read — is that horses play such an important role. Horses are always so present ... as was the case in the past. It is one of the reasons I'm attracted to history: I love horses (I have the privilege of sharing my life with a now elderly Thoroughbred), and I long to experience a world that was "peopled" by horses.

Although horses are no longer intrinsic to our day-to-day lives, they are still a part of our vocabulary. We "keep pace," "hit our stride," "get off on the wrong foot," "kick up our heels" and "feel our oats."

I'm surprised how little has been written about the historical horse culture, which is one reason I went to some trouble to find The Culture of the Horse: Status, Discipline, and Identity in the Early Modern World, a collection of academic essays edited by Karen Rabet and Treva J. Tucker (whom I consulted while researching Mistress of the Sun).

In the 16th century, a new type of horseback riding came into being. In Italy, the rediscovery of Xenophon's The Art of Horsemanship triggered a horsemanship renaissance. Schools teaching what we now call dressage opened in Italy, attracting noblemen from all over Europe.

Similar schools opened in other countries, and by the end of the century, the French could fairly claim to be in the forefront of the style of riding that came to be known as haute école.

Much of the impetus for this development was due to the change in warfare. With the advent of gun-bearing infantry and the mounted pistoleer, traditional fighting in armor became impractical. With the added problem of a peace treaty in 1598, French noblemen — who were defined as calvary warriorswere suddenly without a job, much less an identity.

By degrees, then (of course), the definition of a nobleman expanded to include a man's qualities and abilities, the most important of which was grazia — or grace. High on this list was grace on horseback, men who had mastered this new riding style. Nobility was no longer proved on a battlefield, but in demonstrating a profound unity with a horse.


----

Some other wonderful books on this subject:

Pluvinel, Antoine de. The Maneige Royal. J A Allen & Co Ltd; London; 1989. This is a beautifully illustrated large-format book.

Dent, Anthony. Horses in Shakespeare's England. J A Allen; London; 1987. This is a wonderful book with lots of practical details.

Xenophon. The Art of Horsemanship. Where it all began.